Comics censorship is an American pastime. While censorship has been raging for the last 15 months, book and comic censorship is nothing new. It’s just found new legs with the help of right-wing, white Christian nationalism led by groups like Moms For Liberty, among others. Comics, which have been long-subject to censorship in America, beginning in part with citizens seeking to hide any comics with nudity or sex–Tijuana Bibles, published from the 1920s until the 1960s, were one common form of very sexually-forward comics, often uncredited, that became an early target of censors. The Comics Code Authority took this a step further in the 1950s, better codifying and pursing comics which did not meet their standards.
Comics continued to be the target of censors, as well as legal prosecution. When Friendly Frank’s comic shop in Lansing, Illinois, came under fire after a police officer deemed the owner to be selling obscene materials, the Comic Book Legal Defense Fund developed and has since helped support comics creators, sellers, librarians, educators, and readers in protecting their right to access comics. The officer, Anthony van Gorp, utilized the dog whistle of the ’80s, claiming that in addition to obscenity, the shop was selling material of the satanic influence.
Though comics has been a part of the American literary landscape for well over 100 years, it was not until the early 2000s when more comics began to make their way into schools and libraries. Many were, of course, of the superhero variety, but as comics became more widely accepted as a legitimate form of reading and literacy, more comics beyond the superhero worlds emerged. The late ’00s and early ’10s were especially vibrant times for comics for young people, and as such, censors made their voices heard, challenging and banning comics.
Many who challenge comics in today’s era do so from a place of misunderstanding how comics work. As will be seen in the case studies linked below, adults often talk about how children have accessed a comic that looked like a kid’s book and found something that was less suited to their age. Though comics enthusiasts, librarians, and educators have pushed to better educate people about comic literacy — a skill set separate from but related to print literacy, as it involves understanding the purpose of and meaning behind the use of images to tell a story — it is a skill set. As such, it is something censors can use to further their agenda. Anything with images is seen as material for children, despite the reality that many of the titles are published for adults and shelved with adult books.
From 2000 to 2009, the American Library Association — which at the time had a much more robust staff and budget dedicated to intellectual freedom — identified zero comics among their top 100 most challenged titles. This makes a lot of sense; the format was still evolving. The story from 2010-2019, however, is different. Despite what was happening in libraries, with a rise in understanding of literacy and its myriad forms and a collection mirroring this, so, too, came the backlist from small but vocal minorities about how comic books were inappropriate. Many of the calls mimicked those of earlier censors, citing satanic influences, inappropriate content (read: sex and sexuality), and being “anti-family,” “unsuitable to age,” or “offensive political viewpoint.” In that decade, 11 of the top 100 most challenged books were comics.
Challenged for being “sexually explicit,” with some believing the book has a hidden agenda.
Complaints about this series include being “unsuitable to age group,” alongside being inappropriate because of drinking and smoking.
Bechdel’s memoir drew complaints for being pornography and that it might allow “seedy people coming into the library and moving into our community.”
Satrapi’s memoir drew complaints, including a ban in Chicago Public Schools, for graphic images and inappropriate language.
The multiple award–winning graphic novel has fielded challenges and bans due to queer characters, drug use, and profanity and — in an argument that still rages on — the belief it is sexually explicit.
Challenged for being “pornographic.”
This book has received some solid criticism from readers and reviewers, but that criticism differs from attempts to ban the book for being sexually explicit, containing nudity, and being “unsuitable for age group.”
Vaughan’s series was deemed age-inappropriate, included sexually-explicit images, and that it promoted anti-family values.
The challenges to this middle grade graphic novel — challenged in Dixfield, Maine, where Gender Queer has recently been pulled from shelves — include objecting to its language, sexual content, and drug references.
This first book in a Korean manwha series was challenged for being unsuitable to the age group (it is a coming-of-age story), nudity, and sexual content.
In light of the popularity of the television series adapted from the comics, it comes as little surprise to see this title included. It is not entirely clear why this series drew ire.
Comics challenges and bans have only increased since ALA’s last report. During this current wave of censorship, it comes as little surprise comics are a focal point and in particular, comics that explore gender and sexuality. Drama and This One Summer, published for the middle grade and young adult audiences respectively, foreshadowed the current spate of censorship against queer books; they remain among the titles challenges and banned, though censors have expanded their targets, too.
Gender Queer, a coming-of-age memoir by Maia Kobabe, remains at the top of the list for most challenged book this year. It is Kobabe’s own tale of learning to understand eir gender and the struggles to define eirself in a binary world. But rather than consider the story from its literary perspective and appropriateness for young readers who themselves are struggling understand themselves or others in the world, censors have delighted in blowing up two passages from the book without context. Those passages show on-page sex fantasies that are not only not lewd nor obscene, but they are common experiences of young people around the world.
It is a clear and willful misreading.
It is also a sign that, despite how much time, effort, and energy goes into comics literacy, a small group of well-funded, politically-fueled individuals will continue to showcase their illiteracy. Because in addition to pushing for the right to determine what other people can read, censors today highlight how little they respect art, how little they understand comics, and how eager they are to continue being ignorant about both.
Because ALA’s compiled lists of challenged and banned books do not yet include the 2020s and because they do not release the titles of every book challenge they hear (instead releasing their top 10 lists annually), knowing the full scope of current comics challenges is tricky. But thanks to Dr. Tasslyn Magnusson, who has been tracking every title challenged across the country since last fall, it is possible to get an idea of how widespread comics censorship is right now.
Between October 2021 and August 2022, there have been at least 40 unique comics titles challenged. This includes at least 80 unique challenges or bans to Gender Queer, 25 to This One Summer, and about 20 each to Drama, Mike Curato’s Flamer, Cathy G. Johnson’s The Breakaways, and Fun Home. Every one of these comics was banned or challenged due to LGBTQ+ themes.
These are the most challenged and most banned comics in the U.S. right now, in order. This is based off information able to be found online, meaning that it does not represent silent or quiet censorship of books like this or the stories which mainstream and/or local media does not cover (for example, the quiet removal of Gender Queer from Spartanburg Public Library):
It is impossible not to see the trends, even for readers who may not be familiar with comics. These books are queer, they are by or about people of color, and they are about immigrants.
While there is a lot readers and champions of the freedom to read can do to fight book bans, including making sure you are borrowing, reading, and requesting even more comics be available in your libraries and schools, there is something to be said, too, about the power of knowing the history of comics censorship specifically. Here are some excellent articles by devoted comics fans, comics creators, and scholars alike to help illuminate and contextualize the ongoing efforts to ban comics in the USA.
These are just the tip of the iceberg.